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               complement and contrast, and how important the         “The bubbles can certainly help to add a cream-
               textural aspect can be in making food and wine       iness to the texture of the wine. However, often
               matches work.                                        the production method, for example, barrel fer-
                                                                    mented and aged, along with the dosage level and
                 Get yourself a brisk, zesty Sauvignon Blanc (Loire   the type of grapes used tend to have the largest
               Valley, Niagara, California, New Zealand, etc.). Hit   impact on the weight and texture of a Champagne.
               up the cheese monger for a creamy/crumbly young      An Extra Brut Blanc de Blancs will often feel leaner
               goat cheese, and the fish monger for a few fresh     on the palate than a Blanc de Noirs, or a Vintage
               East Coast oysters. Don’t mess with the purity of    Champagne, which with age will show more rich-
               the oyster by adding gloopy condiments; knock it     ness.”
               back au naturel on the half-shell and follow it with
               a gulp of the wine. The bracing acidity of the wine     Favourite matches? “A pairing I’ve always loved
               marries nicely with the briny bivalve creating a sen-  is Champagne with fried chicken,” she admits.
               sation of textural lightness. Now try the same rou-  “Champagne is great with fried foods because of
               tine with the cheese instead of the oyster. The tang  its high acidity. The acidity and the bubbles help
               of the young cheese matches the zippy grapefruit     to cleanse the palate and cut through the fattiness
               zing of the wine, but its palate coating creaminess   and oiliness of the dish.” Which also confirmed
               welcomes the wine’s cleansing quality. A great tex-  another wine and food rule: simple wine with com-
               tual match, but on an entirely different level.      plex food; complex wine with simple food.

                 I recently (finally) got out of the house to cele-    In the end, writing about wine textures can be a
               brate the reopening of Chef Daniel Boulud’s Café     bit difficult, mostly because it’s writing about some-
               Boulud in the swanky Four Seasons Hotel Toronto.     thing we feel. And what we feel, as we all know,
               Not only was I treated to a rather spectacular lunch  often goes beyond words.
               (with some to-die-for duck), I also had the extreme
               pleasure of matching the various dishes with
               wines from one of my favourite Champagne hous-
               es: Ruinart. I asked the hotel’s Wine Director and
               Sommelier, Julie Garton, what her views were on
               the importance of textural elements in wines.


                 “Texture in wine can be very important for pair-
               ing,” she informed me, “especially with red wine
               as it tends to have higher tannin levels. Many fac-
               tors contribute to the texture/tannin level of wine,
               including the thickness of the grape skins, ripeness
               of the grapes, length of maceration and the vessels
               used to age the wine. Together, these factors can
               create different textures which can be described as
               silky, firm, plush, or grippy. As a result of the tex-
               ture, the wine can pair better with different foods
               and cooking methods. White wines aren’t without
               textures either. Certain wines are known for having
               a creamier or oily texture despite having tannins.”

                 She also mentioned that texture helps to balance
               the respective weights of both the wine and the
               food matches. Champagne, she assured, made for
               a fantastic food-pairing partner, notably due to
               its textural elements. I nodded in agreement (as
               it is rather bad manners to talk with your mouth
               stuffed).



               877-892-5332                    The Grapevine • January - February 2022                         Page 77





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